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Each of the two people in this interaction sees the outward behavior of the other. This is comprised, first, of their public actions and expressed thoughts, represented by any contents displayed in the front of the box-frame. And, second, by their persona or mask, represented by the paint on the front of the box-frame's backboard.

What is behind, as we say, the other person's actions are:

  1. their conscious but private goals, feelings, needs and drives, which they can sometimes feel in their body, and
  2. the unconscious ones that can be pictured as being behind the body in the metaphorical space called the shadow.

    If we can see right through someone's persona or mask, we say that their motivations are "transparent" in a rather negative sense. They have failed to hide their true, inner self. But if the person at that moment does not have a mask and is freely revealing their "inner" motivations, etc., then he or she can be called "transparent" in the positive sense used by the psychologist Carl Rogers. This usage suggests that, given good faith between the parties, greater intimacy can be created between them because they have good information about each other, perhaps including some revelations about each others' shadows.

    So far, these remarks have presumed that people show their bright side rather than their dark side. But the term "dark side" is ambiguous: occasionally people show their hard, threatening side to others and keep such potentials as their affection or their vitality hidden in the dark. We must be careful not to fall into the trap of assuming that the shadow always hides something we would not like. Some people keep their light "hidden under a bushel."

    It's also true that just facing each other does not by itself bring a good connection or a positive outcome. Nor does bringing out the content of the shadow always work well. Being direct and confrontational can result in conflict ("going head to head with"), perhaps with a bad outcome, as suggested by the phrase "at daggers drawn." This contrasts with another possible kind of relationship, one that would be mutual, reciprocal, and a "two-way street." In that case, for each figure in the drawing, one arrow would represent give and the other take.

    If we as the observers were literally standing between the two figures, that is, on a line drawn between them, we might say we were "torn between" them, had "divided loyalties," or were "pulled in both directions." Although these phrases might even apply when we are off to one side of the interaction, as we are in this drawing, when you literally stand in between you cannot look at both people at once; you can't "see both sides of the story" so easily. One is caught in the middle and needs to step back look for a win-win solution.

    This image also illustrates ethical and spiritual ideas. We are all human beings and in some sense interchangeable. You are another me. We must learn to put ourselves in the other person's place (have empathy) and yet keep separate enough to be clear and helpful (be "objective"). Together these positions comprise what we mean by compassion. The religious philosopher Martin Buber said that God is not just "out there" somewhere but instead emerges from a dialogue between us. This imminent god is complemented by the idea of a transcendent god that has a god's eye view from outside the room, as we shall see in the next and final image on the home page.